Bring ethic dimension back to image urges, for we can fight against the cloud of indifference that haunts it. On one hand, if today work of art creation using photographic techniques shouldn't ignore the teachings of conceptualist pioneer photographers, on the other hand, it is no longer viable tout court adoption of the proto-conceptual and conceptual methodologies that established the starting point of all photography since Ed Rucha and the Bechers (either by convergence or divergence). This is the main reason why I try to imbue my photographic œuvres with a multidisciplinary spirit that tends to express itself through subtle and complex systemic games that, although faithful to visible, are able to prevail over its immediacy.

 

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